October 2024, South Australia played host to a remarkable series of concerts that brought together the rich legacy of jazz and the evocative charm of Gypsy swing, all through the virtuoso guitar playing of Hank Marvin. Best known as the legendary lead guitarist of The Shadows, Marvin’s deep love for jazz found new expression in his Gypsy jazz performances, which captivated audiences across the state. The concerts, held in Adelaide, the Barossa Valley, and the Fleurieu Peninsula, were a testament to Marvin’s enduring musical talent and his ability to bridge generations and genres. Let’s take a look at the three standout performances that highlighted this memorable tour.
1. Adelaide Concert: A Night of Gypsy Jazz Elegance
The heart of South Australia, Adelaide, was the first stop on Hank Marvin’s Gypsy Jazz tour. Held at the iconic Woodville Town Hall on October 4th, the concert was a celebration of Marvin’s transition from rock legend to a master of jazz. The evening opened with an elegant ambiance, as the grand hall filled with an audience eager to experience something different from Marvin’s usual repertoire. As soon as Marvin took the stage, the atmosphere shifted, with the delicate yet intricate sounds of Gypsy jazz filling the room.
Marvin was joined by a select group of musicians, including the master accordion player Nunzio Mondia, together with top-tier British/Australian guitarist Gary Taylor and Pete Jeavons on bass, a rhythm section steeped in the tradition of Django Reinhardt, the father of Gypsy jazz. The audience was treated to renditions of Gypsy jazz classics, such as “Minor Swing” under Marvin’s expert touch, resonated with new life. His interpretation of these pieces—laced with his signature melodic style—was a perfect marriage of classic and contemporary sensibilities.
The highlight of the night was Marvin’s famous Shadows tunes “Nivram and Guitar Tango,” pieces that perfectly encapsulated the essence of Gypsy jazz: playful, upbeat, yet tinged with a wistful romanticism. There was also an adaption of The Shadows’ F.B.I. titled “Foolin’ With The Feds” that appeared on the group’s recent album release of the same name.
The collaboration between Marvin and his ensemble was seamless, each musician supporting the other, creating a sound that was both sophisticated and intimately engaging. The Adelaide crowd responded enthusiastically, with standing ovations that reflected the genuine admiration for a musician who, though a legend in his own right, continues to evolve and captivate.
2. Goolwa – Fleurieu Peninsula (: Afternoon concert)
The second stop on Hank Marvin’s Gypsy Jazz tour through South Australia took place on October 5th at the Goolwa Centenary Hall.
This coastal area, known for its stunning beaches and laid-back atmosphere, provided a superb location for the tour beginning at 3pm in the afternoon. Goolwa’s show felt like a more relaxed, yet no less captivating, experience. The intimate setting allowed Marvin and his band to interact with the audience in a way that created a sense of camaraderie. Marvin’s gentle humour and conversational style made the concert feel like a gathering of friends rather than a formal performance.
The set list was diverse, offering a mix of well-loved Gypsy jazz tunes and some of Marvin’s personal favourites. One of the most memorable moments came when Marvin played a heartfelt version of “Swing 42,” a tribute to the late Django Reinhardt. His subtle phrasing and impeccable timing resonated deeply with the audience, many of whom had grown up listening to his work with The Shadows and now had the opportunity to hear him push the boundaries of jazz. As the concert came to a close with an impromptu jam session, it was clear that the Goolwa audience had been treated to a unique and unforgettable experience. Marvin’s ability to infuse the Gypsy jazz tradition with his own distinctive style ensured that the tour’s conclusion was as magical as its beginning.
3. Barrossa Valley: Angaston Town Hall
The third and final concert in Hank Marvin’s Gypsy Jazz tour took place on October 6th, amidst the rolling vineyards of the Barossa Valley. Known for its world-class wineries and picturesque landscapes, the region was an ideal setting for a more intimate, yet equally captivating performance. Held at the Angaston Town Hall, this concert was a perfect fusion of culture, music, and fine wine. The night’s performance was imbued with the charm of the Barossa Valley’s serene environment. The audience, surrounded by the region’s natural beauty, were treated to an enchanting performance that felt both intimate and expansive. With a backdrop of softly glowing chandeliers, Marvin’s Gypsy Jazz ensemble took the stage and immersed the crowd in the captivating rhythms of this infectious genre.
For many concert-goers, the Barossa show was an introduction to Gypsy jazz in a new, less formal setting. Marvin’s ability to make his audience feel like they were part of the music-making process shone through. As he wove his way through jazz standards and his own compositions, it was clear that this was not just a performance, but a true celebration of the jazz tradition.
Conclusion: A Celebration of Musical Mastery
Hank Marvin’s October Gypsy Jazz tour through South Australia was a celebration of musical evolution, blending the rock and jazz worlds with remarkable ease. From Adelaide’s grand venues to the more intimate settings of the Barossa Valley and Goolwa, Marvin’s performances were marked by a deep respect for the Gypsy jazz tradition, coupled with his own innovative approach. These concerts not only honoured the legacy of Django Reinhardt but also showcased Marvin’s remarkable ability to adapt and thrive in new musical landscapes, leaving audiences spellbound and eager for more.
Many thanks to Ian Kershaw, for his assistance with this article.
